Tuesday, 24 July 2012
Men in Black III (2012) Download
Bol Bachchan (2012) Watch Online
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Krishna Abhishek
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Amitabh Bachchan … Item (song)
Harish Shetty
Archana Puran Singh
Jeetu Verma
Neeraj Vora
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Sunday, 4 September 2011
Hindi Movie Force (Johan Abraham, Genelia Dsouza)
Force Release Date/Releasing Date: 16 September 2011
Force Star Cast: John Abraham, Genelia Dsouza
Force Director: Nishikant Kamat
Force Producer: Vipul Shah
Force is upcoming mega movie of Fox Star Studios and Sunshine Pictures. John Abraham is coming in style in this action packed non-stop movie of director Nishikant Kamat. Force release date is set in 16 September 2011.
Star cast of Force includes John Abraham and Genelia Dsouza. Both are coming together first time and fans are waiting to see most exciting stars together. Story of Force is about John Abraham who is playing macho man like character in this movie and has to balance his love and his duty in this movie. One can expect that he is playing role like Salman Khan played in Dabaang but we have to wait till the release of this movie.
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Thursday, 25 August 2011
Chatur Singh Two Star 2011 (Reviews)
Star cast: Sanjay Dutt, Ameesha Patel, Satish Kaushik, Anupam Kher, Gulshan Grover, Rati Agnihotri.
Sanjay Dutt is a bumbling police officer who can never do anything correctly. He is sent to South Africa to get back Ameesha Patel, who is a criminal on the run, in spite of the fact that she was able to flee the prison because of Sanjay’s inefficiency. What happens in South Africa? Find out more in Chatur Singh Two Star review.
It is only in a civilized society where we are taught not to laugh when someone falls or enjoy at the expense of someone's frailty. Therefore to be in line with our moral and ethical growth it is advisable that we do not laugh, make fun or enjoy at the expense of Sanjay Dutt and his mighty fall from the thrown of stardom. Last we saw him in the film Double Dhamal where his post pregnancy weight was still looming large. However his latest venture Chatur Singh Two Staris far more painful!
Director Ajay Chandhoke has played a cruel joke on us. It is cruel to make a film such as this that not only makes us shudder while experiencing it but also cringe at the sight of a once “towering over Bollywood" Sanjay Dutt make an absolute fool of himself. Do not be mistaken by the Jacques Clouseau mustache. Forget Pink Panther, all it does is bring out the animal in us as we want to leap out of our chair and pull at our hair, kick some one hard or growl at the world.
Partners in crime alongside Mr. Dutt are Ameesha Patel, Suresh Menon, Gulshan Grover and Anupam Kher. The intention was to perhaps make a comic flick keeping in mind the innocence and endearing madness of Jacques Clouseau. However never has the intention been such light-years away from reality. Sanjay Dutt is Chatur Singh, a policeman. A detective is how he would like to be remembered but we most likely to forget. Chatur is ever eager to "go on a Mission". The police force and his Chief are totally out of breath with his histrionics. The plot seems to pretend to move when his boss Anupam Kher asks him to keep a watchful eye and provide security to a corrupt politician Gulshan Grover. Chatur meets Sonia (Ameesha Patel) and we feel as if the movie is on a ventilator and the audience in need of life-support.
Sanjay Dutt, in this movie has role of ‘stupid cop’ who somehow get away with any of his mistakes & consider himself as a super detective all over the movie and he did his job well with acting. But the fact is – all the dialogues are stupid, jokes are non sense and can only make laugh to kids below 5 years of age & very old folks. (Not claiming anything baseless- I saw it happening – they were at least laughing on some jokes)
If I have to talk anything good in this movie was - Amisha Patel looks super hot in the movie & did OK job all over the movie. But yeah, I like her coming back as she do have really deserves better roles, she is Beautiful & HOT as well. And again Sanjay Dutt looks too old to be her lead co star in the movie OR they haven’t spent enough on his make up.
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Friday, 12 August 2011
Pirates of the Caribbean: On Stranger Tides (Users Review)
Frustratingly Entertaining,
Author: diac228 (diac1987@netscape.net) from Orlando, Florida
Law and Order: Special Victims Unit is one of my favorite television shows, even though its gone a bit downhill lately. Is it the cast? No, because they are mostly intact. What is actually happening is that each of the main characters, known for their superb chemistry amongst each other, are suddenly spending less screen time with each other and more time to themselves. This story actually has a point. On Stranger Tides suffers the same fate: fantastic cast that don't spend as much time with each other as we hope. Add some pointless plot lines, a calmer first-third of the flick, and you have yourself the fourth installment of Pirates of the Caribbean.
That being said, its still quite entertaining. On Stranger Tides follows a variety of people searching for the fabled Fountain of Youth. Unfortunately for us, its not just Jack Sparrow. We have Blackbeard, the Spanish, the British (led by Barbossa), Angelica, and more doing the same thing. Subplots pertaining to this quest include Jack's past with Angelica, Barbossa's questionable change in character, some random guy falling for some random girl (I am serious, this part was totally pointless), and the pointless Spanish people that flock in and out of the movie.
This is by far the weakest part of the movie, the script. For some odd reason, they borrowed far too much from the novel (whose pacing and themes far differ that of the Pirates brand) and forgot that sometimes simplicity is best---which is what made Curse of the Black Pearl such a great film. It was the easiest to follow, and On Stranger Tides didn't learn from the previous two installments. To add to that, the script utterly separated everyone, even those with the best on-screen chemistry. Barbossa was barely with Jack Sparrow, Sparrow was rarely with his ex-lover, and worst of all reliable Gibbs spent minimal time with Sparrow. When they are together, the humor, the banter, tension, and the charm works well. When they aren't, well, the movie drags a bit.
Thank goodness the cast is still on their game. Johnny Depp once again breathes life into the pirate movie with his smart, unpredictable, and hilarious portrayal of Jack Sparrow. Despite what the reviews say, Jack Sparrow's shtick isn't getting old as he is still a delight to watch. Geoffrey Rush once again shines as Jack's best rival Barbossa, as his quiet intentions resemble that of Sparrow in earlier films. Penelope Cruz adds a layer of sexuality that we definitely did not have with the other Pirates of the Caribbeans--it's just a shame she didn't have much time with Sparrow. Director Rob Marshall was able to shell out good performances from everyone in the cast, but he definitely wasn't the man for this job.
Almost all the chase scenes or action sequences were done with very low-lighting and poor camera angles. With the exception of the mesmerizing and chilling mermaid sequence and the opening chase, all the action moments were missing that special touch. While the bizarreness of Gore Verbinski will not be totally missed (although his style worked perfectly in Rango), his ability to crank out excellent stuntwork and fights was sorely missing here. At least we got to see plenty of it, from the opening chase to the final dramatic (and short) showdown. Say whatever you want, but there has yet to be anything that can top the infamous three-way sword fight/old mill showdown from Dead Man's Chest.
Bottom Line: Pirates of the Caribbean: On Stranger Tides is a mix of frustration and fun. There was plenty of potential that wasn't met because of questionable plot lines, pointless moments, lack of chemistry (once again: writer's fault. Good going Ted Elliot and Terry Rossio), and uneven direction. All that banter aside, Pirates is also plenty fun with several delightful moments, funny lines, and much more action than the last Pirates flick. Johnny Depp, Penelope Cruz and company keep the movie afloat, and prevent it from being a pure bore. But I think the franchise works better when Verbinski is behind the camera. On Stranger Tides is decent summer entertainment, but doesn't have the inescapable magic and charm of the first two.
Pirates of the Caribbean 2011
Sunday, 31 July 2011
Delhi Belly (2011)
Latest Indian Movie Delhi Belly (2011) Review
Three struggling room-mates unknowingly become potential prey of a ruthless gangster.
Director: Abhinay Deo
Writer: Akshat Verma
Stars: Imran Khan, Vir Das and Kunaal Roy Kapur
The opening title credits settle on a frame of a hairy bum crack. The setting is a filthy, dirty and ‘messy to the brim’ flat, waiting to collapse, being shared by the lead trio – Tashi Dorjee Lhatoo (Imran Khan playing a Bhutani? Doesn’t seem right!), Nitin Berry (Kunal Roy Kapoor) and Arup(Vir Das). Tashi is a Times of India journo and Nitin is his accompanying photographer on a rusty scooter and Arup is a cartoonist. Tashi is caught between a relationship with a marriage notice, his boss at work Menaka(Poorna Jagarnnathan), and somehow the trio find themselves caught in between a smuggler web because of diamonds that they are unknowingly supposed to deliver. There is the expected chase to survive, making money on the way, and of course enough boom, bam, kisses and slams to keep you engrossed. And as they say, what matters is the journey, not the destination. With an appetite for munching down all possibilities of toilet humour that can be thrown at the audience, DELHI BELLY rolls from corner to corner with desi versions of the F-bombs.
DELHI BELLY is all about Tashi, Arun and Nitin – flat mates, buddies and partners in crime. Tashi is to get married in a month but still doesn’t know if his fiancee is THE ONE! Arun can’t make up his mind who he wants to kill first – his girlfriend (who has just dumped him) or his stupid, annoying boss (whose idea of creativity is sketching a smiling banana). And Nitin is about to discover that eating delicious Tandoori Chicken off a street vendor is going to give him the worst case of Delhi Belly he’s ever known! Three regular blokes, living the regular life except for one small detail – they are on the hit list of one of the world’s deadliest crime syndicates. Will they be able to get away before the shit hits the roof and it comes crashing down? Delhi Belly is the meanest comedy you’re ever likely to see.
Delhi Belly, India’s first mainstream foray into Western-style gross-out comedy, comes as a relief because the filmmakers realize that a little goes a long way. By emphasizing quality over volume when it comes to scatological humor, Delhi Belly showcases the genre at its best.
Freelance reporter Tashi (Imran Khan) lives in a filthy apartment with his two pals, photographer Nitin (Kunaal Roy Kapur) and cartoonist Arup (Vir Das). Tashi’s gorgeous but ditzy girlfriend, Sonia (Shenaz Treasurywala), takes a package from a suspicious Russian man in the airport where she works as a flight attendant. Without realizing that the package is full of contraband, Sonia asks Tashi to deliver the package for her so that she can run errands.
Tashi hands the package off to Nitin, who promptly contracts a case of “Delhi belly” (diarrhea) from some unsanitary street food. Nitin asks Arup to deliver the package on his way to the doctor, who’s requested a stool sample from the ailing Nitin. You can guess what happens when Arup makes his deliveries.
Delhi Belly is not a typical Indian film, and not just because of its genre. The dialog is primarily in English, and the plot structure is also more like a Hollywood film. Bucking the standard formula for a two-hour-plus masala picture — split the story into two halves, separated by an intermission — Delhi Belly‘s plot has three acts that run continuously for 100 minutes, sans intermission.
What results from these breaks with Indian cinematic tradition? A damned funny movie. The writing is hilarious, and the dialog generates as many laughs as the physical gags and fart jokes do. Fair warning: even by much looser American ratings standards, this would be an R-rated film. Copious use of the f-word, violence, reference to sex acts and scatological humor make this adults-only fare.
Director Abhinay Deo — who failed to impress with his debut earlier this year, Game — shows a real flair for comedy. The story is well-paced, and Deo uses the camera deftly to exaggerate the ridiculous situations Tashi and his pals find themselves in. The movie’s two musical numbers are hysterical and fit seamlessly into the production.
Wednesday, 25 May 2011
Top Action Movies List Must See
- A Knight's Tale
- A History of Violence
- Air Force One
- Ali
- Aliens
- Apocalypse Now
- Apocalypto
- American Gangster
- American History X
- Angels & Demons
- Antz
- Armageddon
- Assassins
- Avatar
- AVP: Alien vs. Predator
- Bad Boys I, II
- Back to the Future
- Backdraft
- Batman movies
- Behind Enemy Lines
- Beverly Hills Cop
- Blade (series)
- Black Hawk Down
- Blood: The Last Vampire (2000)
- Blood Diamond
- Blue Streak
- Boondock Saints
- Born to Fight
- Braveheart
- Bring Me the Head of Alfredo Garcia
- Broken Arrow (1950)
- Capone
- Charlie's Angels I, II
- Children of Men
- City of Fire
- Cliffhanger
- Clear and Present Danger
- Collateral
- Collateral Damage
- Commando
- Con Air
- Conan the Barbarian
- Conspiracy Theory
- Cotton Comes to Harlem
- Courage Under Fire
- Crank
- Crouching Tiger, Hidden Dragon
- Death Proof
- Death Sentence
- Déjà Vu
- Demolition Man
- Desperado
- Die Hard (series)
- Dirty Harry
- District B13
- Drunken Master I, II
- Eagle Eye
- Edge of Darkness
- El mariachi
- Enemy at the Gates
- Enemy of the State
- Enter the Dragon
- Equilibrium
- Eraser
- Escape from Alcatraz
- Executive Decision
- Face/Off
- Fair Game
- Fantastic Four I, II
- Fast and the Furious (series)
- Fifth Element
- Fight Club
- Fists of Fury
- Formula 51
- French Connection
- Gangs of New York
- Ghost Rider
- Get Carter
- Get Smart
- Gladiator
- Godzilla
- Gone in 60 Seconds
- Gone in Sixty Seconds
- Gran Torino
- Hancock
- Hard Boiled
- Harry Potter (series)
- Heat
- Heist
- Hellboy I, II
- Highlander
- Hitman
- Hostage
- Hot Fuzz
- House of Flying Daggers
- Hurt Locker
Sunday, 15 May 2011
Chalo Dilli (2011)
Chalo Dilli is about an odd couple who embark on a road trip. Mihika Mukherjea (Lara Dutta) is a professional who works for a multinational company. Having missed her flight from Mumbai to Delhi she has to travel by road. That's where she meets Manu
Language: Hindi
Genre: Drama
Released on Apr 29, 2011
The film purely depends upon the refreshing performances of its two lead characters Lara Dutta and Vinay Pathak who alone make the project watchable and entertaining. Lara shows another side of her talent and that’s her excellent comic timing evidently visible in this film. She is simply great along with the amazing Vinay Pathak who has become a pro in acting for such kind of roles (though a little repetitive too). He is really superb as the Old Delhi shop-keeper and I truly loved him in the last 10 minutes of the film. In the supporting cast Brijendra Kala as the TC is the best and Akshay Kumar looks cool in his climax cameo.
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Tuesday, 26 April 2011
The Roommate Movie Reviews
Genre: Mystery & Suspense, Horror
Synopsis: A psychological thriller about a deranged college freshman (Leighton Meester) who becomes obsessed with her new roommate (Minka Kelly)
A small-town girl comes to the fictional University of Los Angeles to pursue her dreams of being a fashion designer and encounters a roommate who is clingy to the point of psychotic. Starring Minka Kelly as that starry-eyed newcomer and Leighton Meester as her 1,000-yard-stare nemesis, "The Roommate" is a waste all around of young, attractive actresses, Los Angeles locations and the time of anyone unlucky enough to sit through it.
The Roommate seems to be this: Avoid the goons outside the Greek system. When Kelly first arrives at ULA, she’s eager to party at frat houses with her fun-loving, hard-drinking new friend Aly Michalka, and she finds a super-bland suitor in Cam Gigandet, the drummer for a band that doesn’t play much beyond house parties. By contrast, Meester is a brooding artist type who’s immediately tagged as a weirdo for digging abstract, contemporary art. Though Kelly doesn’t notice the warning signs, Meester scares off Kelly’s friends with creepy, obsessive behavior, warding off anyone who tries to come between her and her new best friend. By the time Kelly picks up on Meester’s intensity, it may be too late for Cuddles.
For much of "The Roommate's" early going any deficiencies in Meester's character are signaled largely by the fact that she has meekly limp hair, in counterpoint to Kelly's luxuriantly bouncy locks. Meester is the brassy, belligerent Blair Waldorf on TV's "Gossip Girl" and there she often seems to be performing in a slightly different register than the other actors, as if she alone is in on the joke. (There was also her scene-stealing sass and vinegar turn in the recent "Country Strong.")
Roommate Movie Torren
Saturday, 23 April 2011
Needle (2010)
Writers:
Anthony Egan, John V. Soto
Stars:
Jane Badler, Michael Dorman and Travis Fimmel
SYNOPSIS:
A killer uses an 18th century machine with supernatural powers to terrorize students at Saint Mary’s
In John V. Soto's Needle, a killer uses an 18th century box with extraordinary and deathly powers to rein havoc on a group of friends at Saint Mary's College. The box is the size of a jewelry case and when a picture of someone is put into a secret slot, a wax figure of the person is created to where the killer can stick pins, break off limbs and just make life miserable for the person the figure represents.
Ben (Michael Dorman) and his brother Marcus (Travis Fimmel) figure out the sinister nature of the device and begin a search for the killer while attempting to warn their friends of their impending deadhood.
Needle is a get-in-line movie. It got in line with stereotypical characters, a half-descent story that fails to execute on the premise and a bunch of forgettable characters and situations leading up to their eventual demise. And the story of the sins of the father coming back to haunt the children was just…well
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Wednesday, 20 April 2011
Hanna (2011) Review
Directed by: Joe Wright
Starring: Saoirse Ronan, Eric Bana, Olivia Williams, Cate Blanchett, Jason Flemyng, Jessica Barden
Writers: Seth Lochhead, David Farr, Joe Penhall, Joe Wright
Distributed by: Focus Features
Genres: Drama, Thriller, Action, Adventure
Official Website: Hannathemovie.com
Hanna has a mildly interesting story at its core, but it’s the techno blasting action sequences that drive its appeal. It’s fast when it moves, but it drags when it gets dramatic. It’s also astounding the level of violence you can squeeze into a PG-13 film these days. It’s true; if you stay away from potty mouth humor and blatant sexual imagery, you can dodge an R rating even with this much blood and mutilation.
Hanna tells the story of a sixteen year old girl of the same name who has been raised by her father Erik to be an assassin. Unknown to her, she is more than just a mal-adjusted young killer who’s spent the better part of her young life in the Arctic Circle with her father training - she’s also the product of a government project led by a ruthless CIA operative named Marissa. Seeking to make the perfect soldier, the program she leads deals with DNA splicing into embryos and implanting them. The project is ultimately closed by the government and all products eliminated except for Hanna who manages to escape at age 2 under her father’s protection. When Hanna decides to expose herself to the world, Marissa is flung back into damage control as she seeks to shut her down and close the project once and for all.
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Monday, 18 April 2011
The Way Back (2010)
The Way Back is a robustly made picture, heartfelt, well executed with an exhilarating sense of reach and narrative ambition. Where it falls down is a lack of personal intensity to match the spectacle. There is nothing that interesting to discover about Janusz, and nothing that interesting for him to discover about himself; even the secrets disclosed about the other escapers don't have much of an impact on the group dynamic. Well, this isn't an overwhelming problem. Weir has put together a good film – oddly, though, considering its scale, it feels like a rather small one.
this is an amazing movie. With his great cast, thrilling adventure, impressive settings and plot that teaches us a lot about human survival skills, director Peter Weir (Master and Commander (2003) and The Truman Show (1998)) is likely, with The Way Back (2010), to garner Oscar nominations.
The movie’s source of inspiration is the 1956 book The Long Walk: The True Story of a Trek to Freedom, by Slawomir Ravicz – the action is tough, introducing us to the gulag in 1940 Siberia, which is full of dying men. Seven of them decide to escape into the wilderness, preferring to die free, not as prisoners.
the men walk 10,000 kilometres through Siberian frozen forests, across Mongolian plains and the ruthless Gobi desert, to reach Tibet and then India.
Brilliantly interpreted by Jim Sturgess, Janusz is a Polish soldier caught by the Red Army, convicted as a spy and sent to the Siberian camp. Next to him is Mister (Ed Harris), an American arrested while working for the Moscow Metro; Valka (Colin Farrell), an Urki inside the Gulag; Tamasz (Alexandru Potocean), an artist who sells drawings of naked women; Kazik (Sebastian Urzendowsky) who is only 17 and suffers night blindness due to lack of proper food; Latvian priest Voss (Gustaf Skarsgard) and humorous Yugoslav Zoran (Dragos Bucur).
Along the way, they encounter a woman, Irena (Saoirse Ronan) who teaches them the need to know and care for each other – each has his own drama and heavy past, but learns about his comrades and, above all, how to act like a team in facing danger.
The movie is an odyssey of ‘becoming’ – humour, life and death, power and will – the will to eat wood in order to survive and to be a team in the frozen forests of Siberia.
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Tuesday, 12 April 2011
The Mechanic Movie review
The Mechanic
A; Action
Dir: Simon West
Cast: Jason Statham, Ben Foster, Donald Sutherland
Foster acts as the perfect counterfoil to Statham's cold, calculated killer. Where Statham's Bishop lives by a code, Foster's Steve has no such hangups. The action scenes are numbingly effective, right from the big bangs to the hand-to-hand combats. If hardcore action is your kind of thing, you'll like it. This one's a sleepwalk for Jason and you see that, but it's Foster who compels him to bring his A-Game. Thankfully, there's no cheery repartee that gets this to degenerate into a buddy flick. Thankfully. There's clever dialogue and Also at 90-odd minutes, its quick, precise and done with.
The Mechanic is a no holds barred action film with a barebones plot and dialogue written for the sole purpose of setting up the next over-the-top action sequence. All that's necessary to know about The Mechanic is that Arthur Bishop (Statham) kills people for a living, earning big time paydays for each target he knocks off. He's efficient at his job, creative with his kills, and for the most part it appears the people he's hired to murder are scumbugs.
After being given a job to take out his mentor, Harry (who was apparently swindling money from the company and set up a team of Arthur's cohorts to be slaughtered), Arthur winds up taking Harry's rebel without a cause son, Steve (Foster), under his wing to teach him the ropes. Steve's got a mean streak a mile long and is driven by the need for revenge, but also simply by the thrill of the kill. As Arthur shows him how to kill for a living, Steve proves to be a quick learner - although he prefers messy methods when stealth and a quick kill would be safer.
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Saturday, 9 April 2011
The Eagle (2011) Movie Review
Twenty years after the fabled Ninth Legion marched north to destruction, the son of the legion’s commander is posted to Britain in his turn. Marcus Flavius Aquila (Channing Tatum) has long dreamed of restoring his family’s honor through military service. When he is unwillingly mustered out because of a debilitating leg wound, he fixes instead on a seemingly impossible task: go north, far beyond Hadrian’s Wall to the land of the bloodthirsty Picts, to recover the eagle that was the standard of the lost legion. His only companion will be his new slave, a Briton named Esca (Jamie Bell) who owes Marcus his life
“The Eagle” is a story about Roman conquest, and as you can imagine, there are some prominent battle sequences. Overall these scenes look like leftovers from the opening battle from “Gladiator”, except with all of the violence missing. You see swords swinging, but the film cuts away before the blades actually slice through anything, and then you’re on to the next Centurion about to hack into someone, and the same thing happens. There are no causal connections at all. It’s as if, in every moment, a handful of frames have been lost. You could watch these fights and say that with all of these armed attacks, you never see anyone get injured. Not only are there no consequences, but this approach also gives the film a jagged, uneven feel, that makes it jarring to watch. Action is the only thing that could have saved “The Eagle”, but for a movie marketed on the epic action movie platform (you can see direct lifts from “Gladiator”, “Braveheart”, and “Lord of the Rings”, among others), there is woefully little of it. The weakest parts of the film are the acting and the story, and those take up the vast majority of the nearly two-hour run time.
The film is well directed by Kevin Macdonald (The Last King of Scotland, State of Play) and well written. Consider the short opening sequence that serves as preamble to the main story. It efficiently and adroitly establishes the setting, introduces Marcus (personality, professionalism, family background), and deftly works in details that bring place, character, and culture to life. The sequence culminates in a thrilling action set-piece that further illuminates the hero’s character and not incidentally demonstrates the Britons’ fury and Rome’s military advantage.
Thursday, 7 April 2011
Thank You 2011 (Hindi Movie)
Thank You is a story of 3 friends Raj [Bobby Deol], Yogi [Suniel Shetty] & Vikram [Irrfan] who basicly are womanizers. Yogi has already been caught by his wife Maya [Celina Jaitley] thanks to her detective friend Kishan [Akshay Kumar]. Raj's wife Sanjana [Sonam Kapoor] also finds something fishy about her husband so Maya asks Kishan to help Sanjana out. Well, Kishan is spellbound when he first see's Sanjana, and then he plans doomsday for Raj and his friends. So, what is Kishan upto ? Will he help Sanjana get back Raj to fall in love with her or will he make her fall in love with him ? If he is helping Sanjana & her friends to get back their husbands, why is he doing so ? Is there any history behind Kishan ? These questions will be answered when you watch Thank You.
The director Anees Bazmee who just directed a nonsense movie last year, looks to be coming back in form with Thank You. He has taken into consideration, his previous mistakes and has worked on it. The climax also does not contain panicky situations or a Priyadarshan kinda full starcast mayhem, instead it contains emotional quotient but with a few laughs. Though he does not manage to pull out a bringing the house down experience, but still he has made Thank You an enjoyable fare.
Akshay is funny, he is wicked and he has some great scenes in the movie. Thank You may not be his best performance but it sure is the best in recent times, nothing extra-ordinary, but just what the role demanded. Bobby Deol is back after a big hit in Yamla Pagla Deewana and he looks more confident towards comedy now. Deols always known for action (Only Dharmendra was known for both Action as well as Humour) have now learnt how to tickle the funny bone. He handles both light and emotional scenes well. He may not have the funniest of lines but he does well within the boundaries. Suniel Shetty may not have a meaty role as compared to Akki and Bobby but surely he has the best lines, scenes and reactions that bring laughter. He after Hera Pheri way back has come up with a great performance. Irrfan Khan has his typical style and that is what worked for him. Although he plays a great support to Akki and Bobby but he clearly steals the thunder with a sincere performance. Irrfan and Suniel provide majority of the comic relief.
August 15 Movie Review
August 1 directed by Sibi Malayil was released in 1988. After 23 years one would expect the sequel to be better than the original flick. But the story remains the same, except that Mammooty looks younger than he looked two decades back. That's something you have concede to the man for keeping himself fit, dashing and 'young'. He looked absolutely stunning and classy and dons the role of Perumal with the same panache and power as he did 23 years ago. Maybe, even better.
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Sunday, 3 April 2011
Footloose
Classic tale of teen rebellion and repression features a delightful combination of dance choreography and realistic and touching performances. When teenager Ren and his family move from big-city Chicago to a small town in the West, he's in for a real case of culture shock.
Director: Craig Brewer
Producer: Neil Meron
Language: English
Genere: Drama, Family, Music, Romance
Release Date: 1st April 2011
Cast | Credit |
Kenny Wormald | Ren |
Julianne Hough | Ariel |
Dennis Quaid | Reverend Moore |
Miles Teller | Willard |
Andie MacDowell | Vi Moore |
Producers | Credit |
Neil Meron | Producer |
Craig Zadan | Producer |
Dylan Sellers | Producer |
Brad Weston | Producer |
Dean Pitchford | Executive Producer |
Production Companies | Credit |
Paramount Pictures | Paramount Pictures |
Writer | Credit |
Craig Brewer | Screenwriter |
Choreography | Credit |
Jamal Sims | Choreography |
Source Code
When decorated soldier Captain Colter Stevens wakes up in the body of an unknown man, he discovers he's part of a mission to find the bomber of a Chicago commuter train. In an assignment unlike any he's ever known, he learns he's part of a government experiment called the "Source Code," a program that enables him to cross over into another man's identity in the last 8 minutes of his life. With a second much larger target threatening to kill millions in downtown Chicago, Colter re-lives the incident over and over again, gathering clues each time, until he can solve the mystery of who is behind the bombs and prevent the next attack.
Director: Duncan Jones
Producer: Mark Gordon
Language: English
Genere: Drama, Science Fiction, Suspense, Thriller
Release Date: 1st April 2011
Cast | Credit |
Jake Gyllenhaal | Captain Colter Stevens |
Michelle Monaghan | |
Vera Farmiga | |
Jeffrey Wright | |
Producers | Credit |
Mark Gordon | Producer |
Philippe Rousselet | Producer |
Jordan Wynn | Producer |
Gordon Kaywin | Executive Producer |
Production Companies | Credit |
Summit Entertainment | Summit Entertainment |
Writer | Credit |
Ben Ripley | Screenwriter |
Tuesday, 29 March 2011
Flash Point (2007) Movie Review
Hong Kong Police Inspector Jun Ma (Donnie Yen) is a baaaaad man. How bad? When we first see him, he’s gotten news that a suspect he has been looking for has resurfaced in a gym. Ma proceeds over to the gym, gets in the ring with the suspect, and beats the living Jesus out of him after verbally relating his joy that the chump has finally resurfaced. Later, after he is reprimanded by his superiors for excessive force, a list of complaints that is an arm long, he demands an ending to the proceedings, before chiding them for wasting an hour of his time. This results in his demotion to the police force’s music department. Mind you, not that that’s going to stop him.
The plot, such as it is, follows Yen’s Jun Ma and his partner, Wilson (Louis Koo) as they go after a trio of vicious Vietnamese gangsters who are also brothers. Wilson has gotten in good with the baddies, and when we first meet him, Wilson further strengthens his street cred by throwing a bottle of wine in Ma’s face. As the case against the brothers are slowly created, Wilson realizes that his position within the organization is a precarious one, especially when the Vietnamese begins a war with the Hong Kong Triad, as well as their own benefactors. And as we all know from all our years of watching Hong Kong movies about undercover cops, bad things tend to happen to them. Sorry, Wilson, it was nice knowing ya, chum.
Sucker Punch (2011) Movie Review
Set during the 1950s, Sucker Punch centers on a girl we'll come to know as Babydoll (Emily Browning) following the accidental death of her younger sister whom she was trying to save from their step father's sexual advances. In an attempt to hide what really happened, Babydoll's step father commits her to a mental hospital and pays off an orderly (Oscar Isaac) to expedite a lobotomy. But before that can happen, she slips in and out of one imagined reality into the next where she and her new found friends attempt to escape the confines of the institution holding them captive.
This Shutter Island scenario is only the start as reality gives way to layered imagination. We're not talking all out Inception here, but what we first see as a mental hospital gives way to a '50s nightclub and Babydoll is no longer a patient, but one of several lingerie-clad hookers dancing for dollars.
Joining Babydoll are Rocket (Jena Malone), Blondie (Vanessa Hudgens), Amber (Jamie Chung) and Sweet Pea (Abbie Cornish). Equipped with names you'd give a child if you wanted their career paths to end in the arms of Ron Jeremy, this fist of softcore fury teams up to break out.
With the story before you, understand the set up is by no means the problem with this film. Described by Snyder as "Alice in Wonderland with machine guns," it's actually the seed for a potentially fun story. It's just too bad this seed grows into a weed. Lacking in any kind of valuable sustenance all you want to do is kill it.
The majority of the film's dialogue, though, belongs to Carla Gugino as the hospital's head psychologist and Oscar Isaac as not only a hospital orderly in the real world, but the equivalent of a pimp in the imagined one. Then there's Scott Glenn (The Right Stuff) as he channels David Carradine's Kill Bill persona as Babydoll's dreamworld guide known only as Wise Man. Glenn is given the distinguishable duty of delivering such clever battle cries as, "Don't ever write a check with your mouth you can't cash with your ass